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Costco, for example, charges $20 for the first 62 images, then 32 cents per image. Hire a service. Costco, Walgreens, and local photo shops have services for converting photo prints-and, in some cases, negatives-to digital. Bear in mind that it does take time and patience to scan one photo at a time.
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(In the market for a new printer? One good choice is the Epson WorkForce Pro WF-4630, $280, which produces excellent-quality scans.) If your family photographer also took the time to add names, dates, or notes to the back of photos, consider purchasing a two-sided scanning printer.

Sadly, these start to feel like unwieldy clutter and can’t be easily shared with relatives, copied, or organized the way digital photos can be.ĭo it yourself. All you’ll need is a scanner-a feature built into many home printers these days.
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If you or a family member was a prolific photographer back in the day, you may have a number-okay, scores-of photo albums or shoeboxes full of loose prints stuffed into closets. In the end, you’ll get back your original materials, two DVDs of content (Walgreens charges an extra fee for these), and online access to the digital files. And you'll need to be patient: The process takes roughly three weeks. For example, a single 5-inch reel of Super 8 or 8 mm, which contains about 12 to 14 minutes of action on 200 feet of film, would cost about $27 at Costco.
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You’ll need to take your media to a store.Įxpect to pay a base price, plus a fee for additional feet-which can add up quickly. In addition to local film specialists, major retailers such as Costco and Walgreens have conversion services for 16 mm, 8mm, and Super 8 film formats. Hire a service. Though film conversion services aren’t cheap, they're a lot easier than the DIY methods described above. The final quality of the recording will also be limited by your video camera’s capability.” “The problem with this method is that you need to work with a very clean white sheet or wall,” Arias says, “and even with a pristine projection surface, you could end up with lower contrast than the original, color shifts, or a softer image. Then press Play on the projector and Record on the camera to capture your footage.

Project the film evenly onto the wall or screen, then adjust the viewfinder in your digital camera so that the image being projected fills the whole view. In a dark room, set the projector and video camera up next to each other. You’ll need a film-reel projector, a digital video camera, and a clean white wall or a projector screen. “There is another way, but it’s a bit of a project,” says Elias Arias, Consumer Reports’ project leader for audio/video testing. This is an analog process: If you have 5 hours of film, the conversion will take 5 hours. These machines can be expensive-the Wolverine Data Film2Digital Moviemaker Pro, for example, costs about $400, though you might find other models for closer to $100.Īs the film runs, the new files are recorded to a small SDHC memory card, just like the one you find inside digital cameras. First, you can buy a film-to-video converter, which looks like a compact version of an old-fashioned reel-to-reel projector. The good news: “Film is a pretty sturdy medium,” says Ashley Blewer, an archivist, developer, and moving-image specialist, “so old home movies on 8 mm, 16 mm, or Super 8 reels are likely to be in decent shape.”ĭo it yourself. There are two DIY methods. Once you’ve identified the kind of film you have, you can turn it into a digital format-but it’s going to take some time and money. If the film strip is roughly two pencils wide-and on a reel that looks like the kind you might see in a documentary about the Golden Age of Hollywood-it’s probably 16 mm. Each 3-inch reel contains about 50 feet of film, good for only a few minutes of action. “Regular 8 film is about as wide as a pencil on a small reel about 3 inches in diameter,” says Howard Besser, professor of cinema studies at New York University and founding director of the NYU Moving Image Archiving and Preservation Program. If you have old reels of film in the attic packed in iconic yellow Kodak boxes, they’re probably Regular 8 or Super 8 film. Although Kodak released 16 mm Kodachrome film in 1935, then 8 mm (aka Regular 8) film a year later, home movies didn’t really take off until the 1960s, when Kodak released Super 8.
